The work Through the Passage was produced in the years 2017-2018.
It consists of 8 unnaturally tall figures. The bodies are represented in motion and thoughtfully set in circle composition.
The disposition of figures in space and the relationship between them are of crucial importance for the understanding of the work.
Formally, I’m interested in the body in motion, precisely in the moment that embraces all precedent and subsequent moves. The work reflects on changing moods and state of mind, on the subtle transitions between reality and dreams or on transcending the limits of being and existence.
The circle composition of the sculptures that has a very rich symbolism in the cultural tradition of humanity originates in the belief that receiving and changing starts within us and only then affects the surroundings and society.
The wired figures that have no clearly delineated facial traits but are precisely defined through the form of dancing figures allow – just like my previous installations – for different interpretations. What is certain, though, is that I perceive the body as a constantly moving entity in a continual social interaction with its surroundings.